ARTHUR MILLER 

What appears to be true to the characters in Death of a Salesman is often a far cry from reality, and this is communicated numerous times throughout the play. Willy's frequent flashbacks to past events—many of which are completely or partly fabricated—demonstrate that he is having difficulty distinguishing between what is real and what he wishes were real. Willy's imagined conversations with his dead brother, Ben, also demonstrate his fragile grip on reality. Willy's mind is full of delusions about his own abilities and accomplishments and the abilities and accomplishments of his sons. Biff and Happy share their father's tendency to concoct grand schemes for themselves and think of themselves as superior to others without any real evidence that the schemes will work or that they are, indeed, superior. At the end of the play, each son responds differently to the reality of his father's suicide. Biff, it appears, comes to the sad realization that his father "didn't know who he was," and how his father's unrealistic dreams led him away from the satisfaction he could have found if he had pursued a goal that reflected his talents, such as a career in carpentry. Happy, who had previously given the appearance of being more well-grounded in reality but still hoping for something better, completely falls into his father's thought pattern, pledging to achieve the dream that his father failed to achieve.

Willy is constantly striving to find the gimmick or the key to winning over clients and becoming a true success. He worries incessantly about how he is perceived by others, and blames his lack of success on a variety of superficial personal traits, such as his weight, the fact that people "don't take him seriously," his clothing, and the fact that he tends to talk too much. While all of these concerns are shared by many people, for Willy they represent the reasons for his failure. In reality, Willy's failure is a result of his inability to see himself and the world as they really are: Willy's talents lie in areas other than sales, and the business world no longer rewards smooth-talking, charismatic salesmen, but instead looks for specially trained, knowledgeable men to promote its products. Willy fails because he cannot stop living in a reality that does not exist, and which dooms him to fail in the reality that does exist.

Willy's perception of what he should be is continually at odds with what he is: A mediocre salesman with delusions of grandeur and an outdated perception of the world around him. He truly believes that he can achieve greatness, and cannot understand why he has not realized what he feels is his true destiny. He completely denies his actual talent for carpentry, believing that pursuing such a career would be beneath him somehow. Willy struggles with the image of his ideal self his entire life, until he can no longer deny the fact that he will never become this ideal self and he commits suicide.

Willy's quest to realize what he views as the American Dream—the "self-made man" who rises out of poverty and becomes rich and famous— is a dominant theme in Death of a Salesman. Willy believed wholeheartedly in this treasured national myth, which began during colonial times, and which was further developed during the 19th century by such industry tycoons as Andrew Carnegie and J.D. Rockefeller. In the 1920s, the American Dream was represented by Henry Ford, whose great success in the automotive industry was achieved when he developed the assembly line.

Also in the 1920s, a career in sales was being hailed as a way for a man without training or education to achieve financial success. Pamphlets, lectures, and correspondence courses promoting strategies for improving the skills of salesmen were widely distributed during this decade. These strategies focused on teaching salesmen how to effectively manipulate their clients. Willy would have begun his career as a salesman in the 1920s, when belief that salesmen adept at manipulation and "people skills" were destined for wealth and fame was widespread. However, by the late 1940s, when Death of a Salesman takes place, the job market and prevailing belief has changed, and salesmen (and other workers) required specialized knowledge and training in order to succeed. Because he lacks such knowledge or training, Willy is destined to fail in a business world that demands the ability to play a specific part in a large establishment. Willy, of course, does not realize how things have changed, and he continues to try to strike it rich using his powers of persuasion. Willy's personal representations of the American Dream are his brother Ben and the salesman Dave Singleman, and he views the success of these two men as proof that he can indeed attain the success he is so desperate to achieve. According to Willy's version of the American Dream, he is a complete failure.

Death of a Salesman is a drama set in 1949, in New York City and Boston. The action of the play takes place largely inside the Loman home in Brooklyn, but other places in New York and Boston are used as well, including hotel rooms, Willy's office, a restaurant, and Willy's gravesite. The play is grounded in realism, which means that it depicts realistically what happens in the lives of its characters, but it also contains elements of expressionism, specifically when it depicts imaginary sequences and portrays for the audience the inner workings of the characters' minds and their emotions. The play is largely a representation of what takes place in the mind of Willy Loman during the last two days of his life.

Willy reminisces about past events and imagines situations, and the audience is able to see his thoughts played out on the stage. The reminiscences and imaginary sequences allow the audience to understand the characters' inner thoughts and provide insight into their behavior during the present-day scenes. For example, the audience learns, during one such reminiscence, that Biff has been tormented for since he was a young child by the discovery that his father had an extramarital affair. This insight helps the audience to better understand both Willy and Biff, explains some of Biff's anger toward his father, and indicates why he is so disillusioned. The instructions for setting in the play provide insight into how Arthur Miller wanted the play to be perceived by the audience. Miller includes instructions that the only substantial part of the set should be the Loman home, and all other locales should be merely hinted at by using changes in lighting or setting up a few chairs or a table. In this way, the audience can clearly see which events on stage are taking place in reality, and which are taking place inside of Willy's mind. Miller originally titled the play The Inside of His Head, which illustrates that he intended to show the audience what happens in a man's mind when his dreams are never realized, and when he lives in a world based on illusion. Miller's method of flashing back and forth between the past and the present, and between the imaginary and the realistic, allows the audience to witness how a lifetime of disappointment, delusion, and failure have led to the current situation, and shows facets of each character that would not have been revealed if only the present-day occurrences had been portrayed. Because of the way the play is constructed, the audience can see what the characters have become and what experiences, thoughts, and emotions led them to their present state.